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Push to Fire Interview with Liv from Leaves' Eyes
by Leo Kindred

Napalm Records image of Leaves Eyes

Hello, how are things at the moment?
Thank you, I am doing really well. It's great to have the album finished and out in the shops. The mixing process of "Njord" was quite long and took a lot of strength and sleep-less nights. The first thing I did was to go for a long run through the forest. What a relief, what a great moment.

Before 2009 your last release was back in 2006. Come this year though and you guys seem to have gone into overdrive with a double CD/DVD "We Came with the Northern Winds - En Saga I Belgia" released in February, then the EP Destiny and then a new album "Njord" out last month. To your fans it must seem like Christmas, why has so much been released this year?
You are right, hehe. Lot's of things going on this year. We've been extremely busy. However, this time we needed much longer than with earlier productions. We started to compose in 2007, and we had planned to release the album in 2008, however we just built a complete new studio from the ground as we had to leave the one we had rented before. Moreover, we were forced to renew the complete studio equipment and recording system after moving into the new studio. This took about at least a year. In the middle of all this, we had to produce our DVD, which is a "monster" project of six hours playing time. Of course we had troubles finding a new bass player and drummer, as our two former members decided to concentrate on their other jobs. Nick Barker, who was our drummer for a while, unfortunately had to step back from metal and music business during a difficult period of time in his life. We suddenly had a phone call from England, in which he was terribly sorry to tell us about some serious personal problems he had. It is quite difficult to find a new drummer, especially because he or she has to be able to play the songs by Leaves' Eyes, Atrocity and my solo project. However, we needed to get through these extremely busy and hard times to get a new perspective on things, and to settle down. Since the first demo recordings for "Njord" we have been able to achieve goals that we thought back in 2007 would be quite impossible. The hardest thing was to mix the orchestra, which we recorded in Minsk,Whiterussia (edit:- part of Belarus), consisting of 40 instruments.The writing and composing process was not that complicated. In the end we had 18 songs, which is really a lot for one production. However, all songs can be heard on our EP "My Destiny", or on the album "Njord".

With regards to We Came with the "Northern Winds - En Saga I Belgia" it includes a documentary and a lot of live material, could you take us through what is on it?
It was a way for us to say thankyou to our friends and fans. All in all there's 6 hours of entertainment on the DVD. Concerning the documentary "We Came with the Northern Winds" we've been collecting film material for years. It was just a matter of time and money, due to the fact that we took care of the whole production by ourselves, in our own studio. I've been around for 15 years, and Alex, Matze, and Tosso have been around for 20years! In my opinion it was about time to release a documentation about our work, experience and the characters in the band. "We Came with the Northern Winds" is an invitation to get under the skin of Leaves' Eyes. It even ran in some German cinemas. It was amazing to see my family on such a big screen, moreover, to see the fans from all over the world! Hey, maybe you will see yourself on the DVD, by the way. Concerning "En Saga i Belgia" we had a drakkar built especially for the show. Our "mastermind" Stefan Liebhauser needed about two years from the first drawings to the last stroke of painting on the ship. He was the one who had the hardest job. The screen in the back served as natural surroundings for the show, and the drakkar. We even went to Norway to film the natural surroundings I grew up in. MFVF in Wieze was the perfect place for us to record our DVD "En Saga i Belgia". We had built a Viking ship in natural size just for this special show and we needed a stage huge enough to set it up. Phil, the promotor and founder of the festival, was happy about the idea and prepared everything for us to feel confident on stage, moreover, to set up such a huge technically difficult production. We even had snow during one of our ballads.and lots of explosions! I've played in Wieze a number of times, and I really love the atmosphere and the great audience appearing at the festival.

You use quite a lot of Viking imagery and themes, even as going as far as to giving away Viking ships with special editions of Njord and having the Viking boat on stage, which I must say is pretty awesome. Nothing of course unusual about combing metal and battle imagery or even Vikings but what does it bring to your sound that is different to say other similarly influenced bands like Amon Amarth or Ensiferum?
The main reason why we differ from other bands is, firstly, the fact that we have a broad concept behind every album we do. I feel that our music deserves a special well-written and interesting concept, and I want to travel through time and space. For me history has always been extremely interesting. As I left my home country Norway after 20 years and moved to Germany 12 years ago, I had more books about the Vikings with me than clothes and shoes. Yes, I am still searching for interesting books. Moreover, I was lucky to visit York's Viking Museum last week-end. I will always stay Norwegian in my heart. This feeling became even more intense after I became a mum in 2003. I think that's a natural process. I travel to the north as often as possible. Before we retire, we will return for good! I just can't live without my family and the amazing, impressive fjords and mountains, and the more intense seasonings' changes. Norwegian nature will always play the most important role for me in my artistic work. Secondly, I grew up with heavy metal (e.g. Black Sabbath/Ozzy) on one side, and classical music (e.g. Grieg, Tchaikovsky) on the other side, so when I formed my ex-band Theatre of Tragedy together with the lead male singer back in 1994, it was clear to me what my music should sound like: bombastic, romatic, heavy, and it must include contrasting elements. Leaves' Eyes is not at all a Viking-metal band, although my lyrics and concepts are based on Viking's history. We mix metal, probably gothic metal, with real classical music, and even folk instruments, and then we have contained the "beauty and the beast" image from my early days with Theatre of Tragedy, wit main focus on the soprano female voice. I am still sticking to my roots, but there's a continuous progression in me and the band with every album.

A lot of Leaves' Eyes are also in the metal band Atrocity, does it ever become a little competitive or confusing in devoting time, trying to juggle roles or making a distinction between the two bands?
Not at all. There's always somebody in the studio, composing music in one recording room, or mixing (mostly Alex) in the other bigger recording room. We mostly concentrate on one album, and when that is finished and Alex' hands "in the mix" so to speak, the rest of us continues composing music for the next album, either it is Leaves' Eyes, Atrocity or my solo project. My third solo album is in the mix right now, by the way, and will be released in the beginning of 2010. At the moment I am...to be honest...drowning in promotion, so there's little time for me left to sit and compose in the recording room. Today, Thorsten (guitars) is here, recording guitars for the next (fourth!) Leaves' Eyes album already. Mostly a song comes into existence through an idea of Thorsten (guitars), who is the main composer in Leaves' Eyes. Sometimes I also have a song-idea which I record and then the other guitarists join in with their ideas. We work on each song until we all are 100% (or more!) satisfied. Each song needs to reach its own identity and authencity to reach out to the audience with its special athmosphere and sound.

I understand that the band is currently on an acoustic tour of Germany, how does your music translate after being characteristically big and grandiose on record?
We just finished the acoustic tour. Now, I am really looking forward to play the album live "in a bigger production", to see how the audience respond to the new material. Personally, I take care that I can do the vocals I've recorded in the studio properly live on a stage, too. That's immensely important to me. If the budget is fine, we will play with an orchestra, or even a choir, however, when this is not possible, we'll have the files running along to the live performance, like most bands do, even Nightwish. What I love doing, though, is playing acoustic shows with no technical support - just the guitar and myself, like we will do in Wieze at the Metal Female Voices festival next week-end.

You'll be out on tour again in Germany and Europe in November with Atrocity on the bill as well, plus, Sirenia, Elis and Stream of Passion. How do you feel about the upcoming tour and what can fans expect? I understand the Atrocity set should be interesting.
Yes, I'm pretty sure that Atrocity will bring along their dancers - they are awesome. It's a pity I can't really find a role for them in my Leaves' eyes show, hehe! I am really looking forward to the up-coming tour! We will, as you correctly stated, tour Europe in November, and maybe the US in December or spring 2010. For 2010 we have planned two extended tours, and probably a South-American one. Please check out our tour-dates news on our homepage - they are confirmed now. Hope to see you there!

Moving on to your latest album "Njord" it's been received well and has done well in various charts, how would you describe it in sound and style in the context of albums Leaves' Eyes has done in the past?
"Njord" was, like every album, recorded in our own studio "Mastersound", and it was produced by my husband and singer in the band, Alexander. Alexander did a fantastic job as an engineer. He is the one who had the most sleepless nights, installing the new recording system on our new studio computers, and being responsible for the mix, as already mentioned above. We spent all our money on this production, however, there are three perfectionists in the band, and we are artists that give 110% into our art. Everything we do comes from the heart! : "Njord" has a power to it that even is more intense than any previous production I've been part of. Technically, we constantly have new ideas and aims. We have our own studio and therefore we have the oppertunity to specialize in technical tasks concerning album and DVD productions. "Njord" has even a more bombastic but delicate sound that "Vinland Saga", because techniques allows it. Moreover, the classical recordings done in this huge formation is something we hadn't done at least to this extent on the previous albums. We met the director of Lingua Mortis, Victor Smolski, at a Leaves' Eyes/Rage concert in Greece in 2007 and we talked to him about having his orchestra playing on the album. From the very start, Alex said we need a real 40-person orchestra, and we need a 25-people choir to make the album sound bombastic, impressive and authentic. Viktor did a fantastic job. The classical parts were recorded in Minsk and sent as sound files to our studio. I am so proud of my bandmembers that we achieved this goal together! The feedback of the album "Njord" has been absolutely amazing. Many journalists and fans have already pointed out that they believe and hope that 2009 will be the beginning of a wonderful journey for Leaves' Eyes. I hope the universe hears this!

It seems there's something accessible about Leaves' Eyes style that appeals to a large number of people, maybe even not just metal fans - the new album got a review in the UK from the BBC.
The BBC - I really didn't know! Have to tell my bandmembers straight away (thanx for the information!). Well, I think there is something for everybody, for every ear, or heart, in our art. There are people who buy our albums because they love Viking history and mythology, or classical music and soundtracks, or female voices, or gothic metal.or maybe everything. Some people get our albums because of our ballads, or the fact that I sing in 8 languages.

It seems that in Germany, and indeed Europe you are a popular band, getting into the charts and in general rock and metal seems well liked much more so than in the UK. I know that you did well in the UK rock and metal charts as well but even so I've still often wondered, do we have crap taste in music by comparison to the rest of Europe?
I never had this question before.Well, to be honest, I've had the experience of being hanged, beheaded and whipped by some persons in the UK music press even when the rest of the universe said "BRAVO, EXCELLENT, OUTSTANDING". However, with "Njord" we seem to have impressed you.finally! Thank you, by the way, I sleep better at night now ;-) The UK audience have, to strictly underline this, ALWAYS been absolutely supporting and fantastic!

You yourself appeared in UK extreme metal band Cradle of Filth's album title track for Nymphetamine back in 2004, any chances of further collaborations in the future? Also, is Dani really that short?
I love "Nymphetamine" - it turned out just perfect, exactly how Dani and myself wanted it. That decision was taken over one phone call. They had asked a couple of other female singers but they weren't exactly what they had been looking for, I guess. I recorded the vocals at our own Mastersound Studio and sent the files to England. I called up Dani and he was amazed. Two weeks later we shot the video for "Nymphetamine" in London's dungeons. We really had a good time - Dani is a real gentlemen. At least he was to me. We even got nominated for the Grammy in L.A. a few weeks later. Motörhead won it, though... Dani is not that short...I think...I thought, at least, after a few glasses of red-wine at the video shoot...

There's a number of projects and other bands around Leaves' Eyes, not only Atrocity but you have your solo work, bass player Alla is in a couple of other bands and so on, after the tour in November is the onus going to continue on work with Leaves' Eyes or will there be a break after the massive output of this year?
No breaks are planned. My solo album is almost finished, the next Leaves' Eyes album is in progression..there will be another Atrocity album featuring Alex' sister Yasmin Krull in the mix by Christmas. Moreover, we have lots of tours coming up.

Between the band members the body of work has included pop, rock, death metal, goth, can we expect maybe more experimentation within the band?
The fourth Leaves' eyes album will be a folk-inspired album, more like a side project, however, still very Leaves' Eyes. We plan to release it in the Autumn next year.

Many thanks for the interview, and have a great tour in November and I hope the rest of the acoustic tour goes well. I thought I'd close by asking what comes next for Leaves' Eyes? Maybe a gig on an actual Viking boat in the English channel?
Please find somebody who can make this dream come true - that's an amazing idea! I would do it immediately (any rich sponsors out there, looking for a real, live Viking-adventure experience?)! Coming up next is our acoustic show in Wieze next week-end. Hope to see you there!


Thanks to Andy T for organising this for us and Liv for taking the time to answer our questions. Find more info and music clips on their MySpace: http://www.myspace.com/leaveseyespage.